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Black etc explores how culture and ideas spread among Black Americans outside mass media, with historians, elders, and culture keepers.
Episodes
Latest Episode
October 8, 2026 · 54m
My guest for this episode is celebrated hip hop artist, podcaster, comedy writer, and host, Open Mike Eagle. The topic is underground hip hop and Black fandom. We use the influential Los Angeles based underground hip hop collective Project Blowed as a lens for the discussion because Mike has been both a Blowed outsider (as a fan of the movement in the 90s) as well as an insider (as a member starting in the 2000s). We discuss the ever changing meaning of "underground" hip hop, what distinguishes it from the mainstream version of the music, and how Black fans in particular engage with both. We talk about the decline of the "everyman" and working class themes in popular hip hop music and the negative influence of Dr. Dre and Jay-Z from that perspective. Ultimately, Mike shares his creative philosophy that animates the focus on mundane life in his work. Finally, Mike and I reminisce about our days working in shoe stores and nerd out over some of our favorite underground hip hop artists. Open Mike Eagle’s website: Youtube channel: Full episode notes here: cover photo credit: Alex Steed
More Episodes
Sep 23, 2026 · 1h 12m
My guest for this episode is Dr. Quincy T. Mills, who is an Associate Professor of History at the University of Maryland in addition to serving as the Associate Dean for Academic Affairs for Graduate Education in the College of Arts and Humanities and the Director of the Frederick Douglass Center for Leadership Through the Humanities.We first discuss the archival research and ethnography Dr. Mills did in a Black barbershop on the Southside of Chicago to support both Dr. Melissa Harris-Perry's book on the subject and eventually his own. We then get into the surprising history of wealth and prestige post-emancipation Black barbers accumulated as groomers of the White political and business elite before focusing on the shift toward the barbershops as working class Black spaces.We also explore the popular stereotype of Black barbershops as sites of unconventional (and outlandish) opinion and the role the spaces play in discussions of Black men's political thought. Finally we look at the changing nature of Black barbershops and the extent to which they welcome various people in the community based on class, age, gender, and sexuality.Dr. Quincy T. Mills' U of MD faculty page: https://history.umd.edu/directory/quincy-millsDr. Mills' book: Cutting Along the Color Line: Black Barbers and Barber Shops in AmericaDr. Melissa Harris-Perry's book: Barbershops, Bibles, and BET: Everyday Talk and Black Political ThoughtFull episode notes here: https://blacketcpod.com/episodes/026-quincy-mills
Sep 9, 2026 · 38m
My guest for this episode is award winning independent producer, writer, critic, and Diana Ross superfan Patrick L. Riley. His book, That's What Friends Are For: On The Women Who Inspired Me, provides a nice jumping off point for us to discuss the history of the term "diva" as it is used for Black women.Mr. Riley breaks down the early 20th Century use of the word for the Black women blues and jazz singers dubbed "the dark divas." He then details the revival of the term for celebrated Black women of music, film, stage, and business, from the late 70s through the modern day.We ground most of the discussion in Mr. Riley's personal experience as a fan of said divas, with a particular emphasis on Diana Ross, and we get into why the divas have such a passionate following among (Black) gay men.Facebook: https://www.facebook.com/patrick.l.riley/Instagram: https://www.instagram.com/patrick.riley/Book: That's What Friends Are For: On The Women Who Inspired MeFull episode notes here: https://blacketcpod.com/episodes/025-patrick-riley
Aug 26, 2026 · 41m
Dr. Paulette Richards is a celebrated artist, educator, performer, and author who studies the meaning of puppets, masks, and other performing objects in the African diaspora. She joins me for this episode on the roots and history of puppetry and object performance in Black America.Dr. Richards offers her thoughts on why puppets made by enslaved people of African descent have not been found (yet), and how the broader category of object performance is exemplified in the African American culture through the relationship to material items such as church fans and musical instruments.Finally, we discuss the echoes of African ritual culture in Black American object performance and the history of Black puppetry in the U.S., from the early 20th Century through the modern day.Dr. Paulette Richards' website: https://www.paulette-richards.com/Full episode notes here: https://blacketcpod.com/episodes/024-paulette-richards
Aug 13, 2026 · 46m
The guest for this episode is geographer and scholar Dr. Priscilla McCutcheon, who is an Associate Professor of Geography at the University of Kentucky. We discuss the concept of Black geographies and how it shows up in her research on the food work of radical Black religious organizations like the Nation of Islam and the Pan-African Orthodox Christian Church as well as in her archival work studying Fannie Lou Hamer and her connection to the National Council of Negro Women and other more mainstream Black funders.We dedicate a portion of the episode to talking about "the pork wars," which is my term for the tension in Black communities surrounding whether or not to eat pigs, with all the religious, cultural, regional, and class differences that come to bear on those arguments.Finally, Dr. McCutcheon offers her take on how modern technologies like social media complicate the public / counterpublic framework of Black political analysis.Dr. Priscilla McCutcheon’s University of Kentucky faculty page: https://geography.as.uky.edu/users/pmc243Full episode notes here: http://blacketcpod.com/episodes/023-priscilla-mccutcheon
Aug 1, 2026 · 38m
My guest is accomplished jazz bassist, professor, and public music educator Paul Thompson. We discuss the influence of jazz bass on other genres, the regional differences in jazz styles, and the vibrancy of Pittsburgh’s Black community.The bulk of the conversation, however, centers on music teaching and learning. We not only touch on Mr. Thompson’s decision to educate the public about music and bass online; we also delve into his controversial, viral social media post about the breakdown of the jazz apprenticeship model and the resulting generation gap. Finally, we briefly discuss the role the bass plays in the music of the late hip hop producer James “Jaydee/J Dilla” Yancey.Paul Thompson’s website: http://paulthompson.usYouTube: http://youtube.com/@pdbassInstagram: http://instagram.com/pdbass74Twitter: twitter.com/pdbass74Full episode notes here: http://blacketcpod.com/episodes/022-paul-thompson
Jul 21, 2026 · 1h 8m
The guest for this episode is Dr. Kimberly Thomas McNair, Lecturer in the Department of African and African American Studies at Stanford University. One of Dr McNair's major research projects is exploring the political significance of t-shirts in Black protest movements.Our discussion centers on how class and gender inform what figures are depicted on t-shirts and the ideological implications of those choices.Furthermore, we discuss the generational parallels and divides with respect to "tastefulness" of depicting Black historical and political figures on t-shirts as well as the insights Dr. McNair gained from interviewing former Black Panthers about their t-shirt printing and distribution efforts.Finally, Dr. McNair draws a link between Black political t-shirts and the R.I.P. t-shirts that originated with youth gang culture.Dr. McNair's LinkedIn: https://linkedin.com/in/kimberly-thomas-mcnair-phd-9b27ab17/Instagram Page: https://instagram.com/profkayteemacher Stanford Faculty page: https://aaas.stanford.edu/people/kimberly-thomas-mcnairFull episode notes here: http://blacketcpod.com/episodes/021-kimberly-mcnair
Jul 11, 2026 · 49m
My guest for this episode is Jason A. England, acclaimed writer, cultural critic, and English professor. We use Jason's controversial piece lamenting the state of popular hip hop as an entry point into a broader conversation about the damaging effect the "can't knock the hustle" ethos has had on the music as well as Black culture writ large.We discuss the illusory appeal of representation, inclusion, and symbolic politics for Black folks, including segments on the warped individualism cultivated by social media and the unfortunate popularity of consumption as resistance.Jason's Defector article: "50 Years Later, Is There Anything Left of Hip Hop?”Full episode notes here: blacketcpod.com/episodes/020-jason-england
Jul 3, 2026 · 41m
My guest for this episode is Anela Malik, who is a writer, speaker, food and travel enthusiast, and social media influencer. She is the author of the book American Soul: The Black History of Food in the United States and the host of the Black food and travel series Our Block.We discuss the difference between online and real-life Black culture, the importance of maintaining integrity as a social media content creator against the backdrop of Black capitalist hustle culture, the thriving Black food scene in DC, and her experience traveling the world as a Black American woman.Anela Malik's website: anelamalik.comHer social media handle on multiple platforms is @theanelamalikthe book: American Soul: The Black History of Food in the United Statesthe Our Block tv seriesFull episode notes here: blacketcpod.com/episodes/019-anela-malik
Jun 24, 2026 · 39m
My guest for this episode is Lamont Jack Pearley, Executive Director and founder of Jack Dappa Blues Heritage Preservation Foundation & the African American Folklorist Magazine. He is an applied folklorist, an African American music historian, a traditional country blues artist himself, and an inductee into the New York Blues Hall of Fame.We discuss a host of topics, including the meaning of applied folklorist, the relationship between folklorists & archivists, and the reason he founded The African American Folklorist Magazine I also chat a great deal with Mr. Pearley about the blues: Why the genre is such a potent lens for Black culture, hip hop songs that function as blues songs, and how being a blues artist informs his scholarly work.Lamont Jack Pearley's website: lamontjackpearley.comJack Dappa Blues Heritage Preservation Foundation: jackdappabluesradio.tvThe African American Folklorist Magazine: theafricanamericanfolklorist.comFull episode notes here: blacketcpod.com/episodes/018-lamont-jack-pearley